Lascăr Vorel

Lascăr Vorel, also credited as Forel and Forell (19 August 1879 – 8 February 1918), was a Romanian Post-Impressionist painter whose style was linked to Expressionism. He was the scion of a pharmacist clan in Piatra Neamț, but abandoned the family trade to take up drawing, and became a student at Munich's Academy of Fine Arts. Praised as an intellectual as well as a painter, he moved away from Art Nouveau, studying Cubism and Expressionism, and exchanging ideas with a young Marcel Duchamp. Vorel also worked as a cartoonist for Der Komet magazine, befriending Albert Bloch, Hanns Bolz and Erich Mühsam, and frequenting Café Stefanie.

While active in immediate proximity to the early trends in German Expressionism, including Der Blaue Reiter, he never joined any artistic society. His avant-garde paintings, which often incorporated social commentary, alternated with more subdued and conventional landscapes and peasant portraits of Western Moldavia. Maintaining some interest in Romania's modern art scene, he was featured at Tinerimea Artistică shows and published sketch stories in Bucharest's literary magazines.

Ailing from a chronic kidney disease, Vorel lived a withdrawn existence during World War I. He maintained a lively interest in politics and military developments, expressing his continued support for the Central Powers; he was also increasingly pessimistic about the future of art, and about his own ability to thrive. This period brought him into contact with Romanian writer Nae Ionescu, who was his admirer and promoter, but Vorel's notebooks suggest that their friendship was superficial. Briefly interned as a hostile alien, Vorel turned to pacifism during his final years, ultimately dying in Munich at age 38. He remains celebrated in Piatra Neamț, where some of his diaries have been published, but is relatively unknown in Romania at large.