Jan Švankmajer

Jan Švankmajer (* 4 September 1934 Prague) is a Czech film director, animator, writer, playwright and artist. He draws and makes free graphics, collage, ceramics, tactile objects and assemblages. In the early 1960s, he explored informel, which later became an important part of the visual form of his animated films. He is a leading representative of late Czech surrealism. In his film work, he created an unmistakable and quite specific style, determined primarily by a compulsively unorthodox combination of externally disparate elements. The anti-artistic nature of this process, based on collage or assemblage, functions as a meaning-making factor. The author himself claims that the intersubjective communication between him and the viewer works only through evoked associations, and his films fulfil their subversive mission only when, even in the most fantastic moments, they look like a record of reality. Some of the works he created together with his wife Eva Švankmajerová.

Doctor honoris causa

Jan Švankmajer
Jan Švankmajer (2024)
Born(1934-09-04)September 4, 1934
Prague
EducationTheatre Faculty of the Academy of Performing Arts in Prague
Known forCzech film director of animated, puppet and live-action films, animator, writer, playwright and surrealist (drawing, graphics, collage, ceramics, tactile objects and assemblages)
Notable workAnimated films
Styleinformel, surrealism, tactilism, art brut
SpouseEva Švankmajerová
ChildrenVeronika Hrubá, Václav Švankmajer
AwardsCzech Lion Awards - Unique Contribution to Czech Film (1994), Best Design (Faust, 1994, Little Otik, 2001, Surviving Life, 2010), Best Stage Design (Insects), 2018), Grand Prix and International Critics Award, Annecy International Animation Film Festival, Golden Bear, Berlinale (Dimensions of Dialogue, 1983), Prix special for lifelong achievement, International Animated Film Association (1990), FITES Award for Lifetime Contribution to the Development of Audiovisual Culture (2008), Freedom Award for Lifetime Achievement (Andrzej Wajda Award), Berlinale (2001)
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