Joséphine de Beauharnais
Joséphine Bonaparte (French: [ʒozefin bɔnapaʁt], born Marie Josèphe Rose Tascher de La Pagerie; 23 June 1763 – 29 May 1814) was Empress of the French as the first wife of Emperor Napoleon I from 18 May 1804 until their marriage was annulled on 10 January 1810. As Napoleon's consort, she was also Queen of Italy from 26 May 1805 until the 1810 annulment. She is widely known as Joséphine de Beauharnais (French: [ʒozefin də boaʁnɛ]).
Joséphine de Beauharnais | |
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Portrait by Antoine-Jean Gros, c. 1809 | |
Empress consort of the French | |
Tenure | 18 May 1804 – 10 January 1810 |
Coronation | 2 December 1804 |
Queen consort of Italy | |
Tenure | 23 May 1805 – 10 January 1810 |
Born | Marie Josèphe Rose Tascher de La Pagerie 23 June 1763 Dauphin, Saint Lucia, Lesser Antilles |
Died | 29 May 1814 50) Rueil-Malmaison, Kingdom of France | (aged
Burial | Church of Saint-Pierre-Saint-Paul, Rueil-Malmaison, France |
Spouses | Napoleon I, Emperor of the French
(m. 1796; ann. 1810) |
Issue | |
House | Tascher de La Pagerie |
Father | Joseph Gaspard Tascher de La Pagerie |
Mother | Rose Claire des Vergers de Sannois |
Signature |
Joséphine's marriage to Napoleon was her second. Her first husband, Alexandre de Beauharnais, was guillotined during the Reign of Terror, and she was imprisoned in the Carmes Prison until five days after his execution. Through her children by Beauharnais, she was the grandmother of the French Emperor Napoleon III and the Brazilian Empress Amélie of Leuchtenberg. Members of the current royal families of Sweden, Denmark, Belgium, and Norway and the grand ducal family of Luxembourg also descend from her. Because she did not bear Napoleon any children, he had their marriage annulled and married Marie Louise of Austria. Joséphine was the recipient of numerous love letters written by Napoleon, many of which still exist.
A patron of art, Joséphine worked closely with sculptors, painters and interior decorators to establish a unique Consular and Empire style at the Château de Malmaison. She became one of the leading collectors of different forms of art of her time, such as sculpture and painting. The Château de Malmaison was noted for its rose garden, which she supervised closely.