Burgess Meredith

Oliver Burgess Meredith (November 16, 1907 – September 9, 1997) was an American actor and filmmaker whose career encompassed radio, theater, film, and television.

Burgess Meredith
Meredith in a publicity photo (1954)
Born(1907-11-16)November 16, 1907
DiedSeptember 9, 1997(1997-09-09) (aged 89)
Malibu, California, U.S.
Alma materAmherst College
Occupations
  • Actor
  • filmmaker
Years active1929–1997
Political partyDemocratic
Spouses
  • Helen Derby
    (m. 1933; div. 1935)
  • Margaret Perry
    (m. 1936; div. 1938)
  • Paulette Goddard
    (m. 1944; div. 1949)
  • Kaja Sundsten
    (m. 1950)
Children2
Military career
Allegiance United States
Service/branch United States Army Air Forces
Years of service1942–1945
Rank Captain
UnitFirst Air Force
Office of War Information
Battles/warsWorld War II
Awards American Campaign Medal
World War II Victory Medal
Acting President of the Actors' Equity Association
In office
1937–1938
Preceded byFrank Gillmore
Succeeded byArthur Byron

Active for more than six decades, Meredith has been called "a virtuosic actor" and "one of the most accomplished actors of the century". A lifetime member of the Actors Studio, he won several Emmys, was the first male actor to win the Saturn Award for Best Supporting Actor twice, and was nominated for two Academy Awards.

Meredith established himself as a leading man in Hollywood with critically acclaimed performances as Mio Romagna in Winterset (1936), George Milton in Of Mice and Men (1939), and Ernie Pyle in The Story of G.I. Joe (1945).

Meredith was known later in his career for his appearances on The Twilight Zone and for portraying The Penguin in the 1960s TV series Batman and boxing trainer Mickey Goldmill in the Rocky film series. For his performances in The Day of the Locust (1975) and Rocky (1976), he received nominations for the Academy Award for Best Supporting Actor. He later appeared in the comedy Foul Play (1978) and the fantasy film Clash of the Titans (1981). He narrated numerous films and documentaries during his long career.

"Although those performances renewed his popularity," observed Mel Gussow in The New York Times (referring to the Penguin and Mickey Goldmill roles), "they represented only a small part of a richly varied career in which he played many of the more demanding roles in classical and contemporary theater—in plays by Shakespeare, O'Neill, Beckett and others."

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