Bloodline (Recoil album)
Bloodline is the third album by Recoil, released on April 14, 1992. It was recorded at Konk Studios in London, during sessions that lasted from January to March 1991, being mixed later that same year. The album was produced by Alan Wilder, engineered by Steve Lyon, and assisted by Dave Eringa.
Bloodline | ||||
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Studio album by Recoil | ||||
Released | April 14, 1992 | |||
Recorded | January–March 1991 (mixed in October–December 1991) | |||
Studio | Konk (London) | |||
Genre | Electronic | |||
Length | 50:38 | |||
Label |
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Producer | Alan Wilder | |||
Recoil chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic |
After completing Depeche Mode's most successful album, Violator, and subsequent World Violation Tour (with Nitzer Ebb as the support act), Wilder co-produced Nitzer's 1991 album Ebbhead. This cemented both a good personal and working relationship with Nitzer lead singer Douglas McCarthy. After completing the Nitzer Ebb album, Wilder went to work on his solo project, and McCarthy returned the favour by performing on the Recoil album.
Wilder recruited guest vocalists for the first time: Moby, Toni Halliday (from Curve), and McCarthy, helping produce a significant move forward. It also marked the first Recoil single, a cover of the Alex Harvey song "Faith Healer".
The album is also notable for the track "Electro Blues for Bukka White", which introduced the idea of taking very old recordings and setting them in a new electronic setting. Moby, who contributed vocals for the song "Curse", would later release his 1999 breakthrough album, Play, which arguably contains clear stylistic similarities to "Electro Blues for Bukka White". On Play, Moby used several old field recordings by Alan Lomax, much as Wilder had used a 1937 recording of White's "Shake 'Em on Down".