Andromeda (mythology)
In Greek mythology, Andromeda (/ænˈdrɒmɪdə/; Ancient Greek: Ἀνδρομέδα, romanized: Androméda or Ἀνδρομέδη, Andromédē) is the daughter of Cepheus, the king of Aethiopia, and his wife, Cassiopeia. When Cassiopeia boasts that she (or Andromeda) is more beautiful than the Nereids, Poseidon sends the sea monster Cetus to ravage the coast of Aethiopia as divine punishment. Queen Cassiopeia understands that chaining Andromeda to a rock as a sacrifice is what will appease Poseidon. Perseus finds her as he is coming back from his quest to decapitate Medusa, and brings her back to Greece to marry her and let her reign as his queen. With the head of Medusa he turns Cetus to stone to stop it from terrorizing the coast any longer.
| Andromeda | |
|---|---|
Princess of Aethiopia | |
Perseus freeing Andromeda after killing Cetus, 1st century AD fresco from the Casa Dei Dioscuri, Pompeii | |
| Personal information | |
| Born | |
| Parents | Cepheus and Cassiopeia |
| Consort | Perseus |
| Offspring | Perses, Heleus, Alcaeus, Sthenelus, Electryon, Mestor, Gorgophone |
As a subject, Andromeda has been popular in art since classical times; rescued by a Greek hero, Andromeda's narration is considered the forerunner to the "princess and dragon" motif. From the Renaissance, interest revived in the original story, typically as derived from Ovid's Metamorphoses. The story has appeared many times in such diverse media as plays, poetry, novels, operas, classical and popular music, film, and paintings. A significant part of the northern sky contains several constellations named after the story's figures; in particular, the constellation Andromeda is named after her.
The Andromeda tradition, from classical times onwards, has incorporated elements of other stories, including Saint George and the Dragon, introducing a horse for the hero, and the tale of Pegasus, Bellerophon's winged horse. Ludovico Ariosto's epic poem Orlando Furioso, which tells a similar story, has introduced further confusion. The tradition has been criticized for depicting the princess of Aethiopia as white; few artists have chosen to portray her as dark-skinned, despite Ovid's account of her. Others have noted that Perseus's liberation of Andromeda was a popular choice of subject among male artists, reinforcing a narrative of male superiority with its powerful male hero and its submissive female in bondage.