Anaïs Barbeau-Lavalette
Anaïs Barbeau-Lavalette (born 1979) is a Canadian novelist, film director, and screenwriter from Quebec. Her films are known for their "organic, participatory feel." Barbeau-Lavalette is the daughter of filmmaker Manon Barbeau and cinematographer Philippe Lavalette, and the granddaughter of artist Marcel Barbeau.
Anaïs Barbeau-Lavalette | |
|---|---|
Barbeau-Lavalette in 2015 | |
| Born | 1979 (age 44–45) Montreal, Quebec, Canada |
| Nationality | Canadian |
| Occupation(s) | Novelist, film director, screenwriter |
| Parent(s) | Manon Barbeau Philippe Lavalette |
| Relatives | Marcel Barbeau (paternal grandfather) |
Originally prominent as a child actor, her credits included the series Le Club des 100 Watts and À nous deux!. She later began making documentary films, including Les Petits princes des bidonvilles (2000), Buenos Aires, no llores (2001) and Si j'avais un chapeau (2005), before releasing her first feature film, The Ring, in 2007. In 2010, she also published Je voudrais qu'on m'efface (translated as Neighbourhood Watch), a novel which revolves around some of the same characters as The Ring. In 2015, her second novel, La femme qui fuit (translated as Suzanne), inspired by the life of her grandmother, artist Suzanne Meloche, was short-listed for the 2016 Governor General's Award for French-language fiction, in addition to winning a number of other prizes and being a best-seller.
Barbeau-Lavalette is best known to international audiences for her award-winning 2012 film Inch'Allah.